Leave it to Three Girls

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As the tattoos on my right arm will attest, I love Mutant Monster. Not just because they are a great band, which they are, but because they are an important band. They are also three of my favorite people in the world. The trio operates on the fringes of the Japanese “girl’s band” movement; a broad sub-scene operating within and across myriad genre-cultures currently redefining what it means to make exceptional music in transgressive genres grown stale with western tropes of sociologically emphasized and exoticized femininity. A fringe operation befits their punk-rock ethos, and punk is not something that has ever really connected with me in a meaningful way.

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It’s not you, it’s me.

 

I hadn’t been to Norway in 3 years.  Last I was in the land of social democracy, black metal, and salmon trousers was in mid-2014 when I was finishing up my first MA degree and, after giving up my flat in London, lived in a variety of European locations. This included five weeks in Oslo. The capital was where I had always spent most of my time, the longest stint being three months in 2012 as I attended a short course at the University of Oslo. Seems a lifetime ago now.

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